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"A wearable piece of art" - Harper's BAZAAR

Yellow Diamonds: Flattered by Daylight

Yellow Diamonds by CANTURI

Yellow Diamonds

The Ultimate Expression of Colour

Yellow diamonds are flattered by daylight.
Which matters more than it sounds. A coloured gemstone gives you colour. A diamond gives you fire. A fancy yellow is one of the few stones that does both at once, and daylight brings up both.
A yellow diamond’s colour comes from nitrogen. Nitrogen atoms sit in place of carbon in the crystal and absorb light from the blue end of the spectrum, letting the yellow through, so the stone works by subtraction. It takes blue out of whatever light reaches it, and daylight arrives carrying far more blue than any lamp does, which gives the diamond more to remove and the yellow more room to read.
So a yellow diamond is at its best outdoors, on an ordinary afternoon, worn to nothing in particular. Across thirty or forty years, that is most of the time.




Nitrogen: the flaw becomes the point
By the standards of the diamond trade, nitrogen is a defect.
Colourless diamonds are graded on the D to Z scale, and what that scale measures is colour as a fault. D is the absence of it. Every step down the alphabet is a stone carrying slightly more nitrogen and losing value for it, and by the far end the tint has cost the diamond most of what it might have been worth.
Past Z the diamond leaves the colourless scale altogether and becomes a fancy coloured diamond, where the price starts climbing again for precisely the reason it had been falling. The same element, the same mechanism, valued in reverse.
Which leaves a stretch in the middle of the scale where a diamond is worth least of all. Too much nitrogen to be colourless, too little to be yellow. A diamond has to commit to the colour to get out of it.
Nitrogen makes up about four fifths of the air in the room. The most ordinary element in the atmosphere, caught up in carbon well over a hundred kilometres beneath the surface, held there for a billion years or more, and brought up as a colour.

How a yellow diamond's colour is judged
Colour matters more in a yellow diamond than everything else combined, and it is read on three things:
  • Hue is the dominant colour and whatever sits alongside it. Most fancy yellows carry a trace of something else, commonly brown, green or orange, and a stone with no secondary hue at all is rare. Where there is one, orange is generally preferred to green.
  • Saturation is the strength of the colour, and it is where the value sits. A smaller stone with exceptional saturation can be worth more than a larger one with a weaker colour, which is the reverse of how colourless diamonds behave.
  • Tone is how light or dark the stone reads. Mid-range tones tend to be the most sought after, giving colour that reads rich rather than heavy, though this is more a question of taste than the other two.
Fancy colour has its own scale with nothing in common with D to Z. Fancy Light, Fancy, Fancy Intense and Fancy Vivid ascend in saturation, and Fancy Vivid carries the premium. Fancy Deep and Fancy Dark sit alongside that progression rather than above it, describing different combinations of tone and saturation. Below Fancy Light, stones graded Faint, Very Light and Light are still assessed on the colourless scale and are not fancy colour at all.
Two questions worth asking that nobody tends to volunteer.
Canary is the first. In grading terms the word means nothing. Canary is trade shorthand for a strong even yellow, with no certificate behind it, so anyone selling a canary diamond without a report is selling an adjective.
Fluorescence is the second. Most fancy coloured diamonds are better with none of it, because a blue glow dilutes yellow, and the market discounts Fancy, Intense and Vivid yellow diamonds graded Medium or Strong Blue. Daylight carries the ultraviolet that excites that glow where a lamp carries almost none, which makes a strongly fluorescent yellow diamond the one stone in this article that daylight works against. Ask for the fluorescence grade. It appears on every diamond grading report.

Clarity and carat weight
Clarity is more forgiving in a yellow diamond than in a colourless one. A yellow diamond’s own colour and the way light travels through it help conceal small inclusions, so stones graded Very Slightly Included or Slightly Included often read as clean to the eye. Clarity becomes a real question once an inclusion is visible without magnification, or starts to interfere with brilliance.
Carat weight hits a wall early in fancy yellow diamonds. Above two carats fine yellows become scarce, and above five genuinely rare. Larger stones also tend to show deeper colour, since light travels further through the stone and more blue comes out along the way. Size and saturation compound each other.

Why a yellow diamond is cut differently
A colourless diamond is cut to maximise brilliance and hold body colour down. A yellow diamond is cut to do the opposite, and every decision serves saturation.
  • Radiant is the shape most associated with yellow diamonds, marrying brilliance with the depth of a step cut to concentrate colour without giving up sparkle. 
  • Cushion gathers colour into a softer outline. 
  • Oval holds saturation along its length. 
  • Pear pairs colour with a tapered profile. 
  • Emerald shows colour with unusual clarity, though it asks for a stone with strong natural saturation to carry it.
  • Round brilliant less often, because the light return that makes it the default for colourless diamonds works against yellow by washing it out. In a Fancy Intense or Fancy Vivid stone, where there is colour to spare, a round cut can hold both at once.
The setting carries the same logic, and the right choice depends on the stone. Yellow and rose gold sit in sympathy with the colour and lift a lighter stone. Platinum and white gold do the reverse, giving a saturated stone a cool frame to read against, which flatters a Vivid and can leave a pale one looking thin. A halo or pavé of colourless diamonds heightens the yellow by contrast. A solitaire leaves the stone to make its own case.
Every yellow diamond Canturi works with is natural and untreated. No heat, no irradiation, nothing added to the colour after the fact.
Which brings it back to an ordinary afternoon. Come and see one outside, in the light you will be wearing it in, which is the light that suits it best.

Yellow diamonds at a glance
Attribute Detail 
Colouring element Nitrogen, replacing carbon in the crystal lattice
How the colour works Nitrogen absorbs blue and blue-violet light, allowing yellow to dominate
Mohs hardness 10, the hardest natural material
Grading scale The fancy colour scale, separate from the D to Z colourless scale
Saturation grades Fancy Light, Fancy, Fancy Intense, Fancy Vivid, with Vivid carrying the premium
Rarity of fancy colour Commonly estimated at around one in ten thousand diamonds
Position among fancy colours Yellow is the most common, making it the most attainable entry to the category
Historic Australian source Ellendale, West Kimberley, closed 2015, roughly half the world’s fancy yellow supply at its peak
Largest cut yellow diamond The Incomparable, 407.48 carats, internally flawless, cut from an 890 carat rough
Preferred cuts Radiant, cushion, oval and pear, which retain more body colour than round brilliant
Treatment at Canturi None. All yellow diamonds natural and untreated

Frequently asked questions:

> What makes a diamond yellow? 
Nitrogen. Nitrogen atoms replace some of the carbon in the diamond’s crystal lattice during formation and absorb light from the blue and blue-violet part of the spectrum, allowing yellow to dominate what the eye sees. The quantity of nitrogen and the way those atoms are arranged determine whether a diamond shows a faint tint or a full fancy yellow colour.

> Are yellow diamonds rare? 
Fancy coloured diamonds of any kind are rare, commonly estimated at around one in ten thousand diamonds. Yellow is the most common of the fancy colours, which makes it the most attainable way into the category. Rarity rises steeply with saturation and size: Fancy Vivid yellow diamonds above two carats are genuinely scarce, and above five carats rare.

> What is a canary diamond? 
Canary is trade shorthand for a strong, even yellow diamond with no secondary hue. It has no status as a grading term and appears on no laboratory report. The grade that matters is the fancy colour grade, which runs Fancy Light, Fancy, Fancy Intense and Fancy Vivid, so a diamond described as canary should still be accompanied by a certificate stating its actual colour grade.

> What is the best cut for a yellow diamond? 
Radiant is the cut most associated with fancy yellow diamonds, because it combines brilliance with the depth of a step cut and concentrates colour. Cushion, oval and pear also retain colour well. Round brilliant is used least often, since the light return that suits colourless diamonds tends to wash yellow out, though a Fancy Intense or Fancy Vivid stone has enough colour to carry a round cut.

> What does Fancy Vivid mean? 
Fancy Vivid is the highest saturation grade on the fancy colour scale and commands the greatest premium. The scale ascends Fancy Light, Fancy, Fancy Intense, Fancy Vivid. Fancy Deep and Fancy Dark sit alongside rather than above that progression, describing different combinations of tone and saturation. Stones graded Faint, Very Light or Light are assessed on the colourless D to Z scale and are not fancy colour diamonds.

> Do yellow diamonds look better in daylight? 
Generally yes. A yellow diamond’s colour works by absorbing blue light, and daylight contains considerably more blue than incandescent lamp light, which gives the stone more to remove and makes the yellow read more strongly. The exception is a diamond with medium or strong blue fluorescence, since daylight carries ultraviolet that excites the blue glow, and blue fluorescence dilutes yellow.

> Is a yellow diamond suitable for an engagement ring? 
Yes. Diamond is the hardest natural material at 10 on the Mohs scale, so a yellow diamond is as durable as a colourless one and suited to daily wear indefinitely. The considerations are colour saturation, evenness of colour across the stone, and the choice of cut and setting, since all three affect how strongly the yellow reads.

> Are yellow diamonds real diamonds? 
Yes. A yellow diamond is chemically and structurally the same material as a colourless diamond, pure crystalline carbon, with nitrogen atoms substituted for a small proportion of the carbon. That nitrogen is what absorbs blue light and produces the yellow colour. Yellow diamonds have the same hardness of 10 on the Mohs scale and the same optical fire as colourless diamonds, and they are graded by the same laboratories on a separate fancy colour scale.

> Will a yellow diamond’s colour fade? 
A natural yellow diamond’s colour is permanent. The colour is a structural property of the crystal, caused by nitrogen incorporated during formation, so it cannot fade, wash out or be worn away. Treated diamonds are a different matter, since some colour treatments are less stable, which is one reason a grading report noting the colour origin as natural matters.

> What was the Ellendale mine? 
Ellendale, in the West Kimberley region of Western Australia, was the largest single source of fancy yellow diamonds in the world. Most diamond mines yield less than one percent fancy yellow stones, while Ellendale produced roughly twelve percent, supplying close to half the global fancy yellow supply at its peak. Tiffany held exclusive rights to its fancy yellow production from 2010. The mine closed in 2015.

> What is the largest yellow diamond? 
The Incomparable, at 407.48 carats, fancy brownish yellow and internally flawless. It was cut from an 890 carat rough found in the 1980s in Mbuji Mayi in the Democratic Republic of Congo, in mine waste that had been discarded as too bulky to be worth examining. Cutting took four years and produced fourteen additional gems alongside the principal stone.


Canturi holds a recently acquired selection of exceptional collector gemstones for private viewing, and we source at this level privately, stone by stone, story by story.


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